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Strong Military Culture Special Issue · Cultural Review | Art Depicts the Spiritual Legacy of Medical Personnel

强军文化专刊·文化博览丨艺术展现医护人员精神传承
PLA Daily (解放军报) 29 May 2026
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No. 945 Hospital of the Joint Logistic Support Force premiered a situational dance (情景舞蹈) titled 'The Laundry Squad Devoted Wholly to the Public' at the Xining Joint Logistic Support Center auditorium, tracing the unit's lineage from the 37th Army Hospital's 1970s-era 'Lei Feng's Laundry Squad'—honored by the former Chengdu Military Region—through the Wenchuan earthquake response and COVID-era epidemic duty. This is standard political-work cultural content; its value is as a record of how the Joint Logistic Support Force frames institutional continuity and the 'serving wounded and sick soldiers wholeheartedly' ethos for medical personnel, not as evidence of a policy or posture change.

Situational Dance "The Laundry Squad Devoted Wholly to the Public" — Art Depicts the Spiritual Legacy of Medical Personnel

■ Chang Chenyue, Qi Haocheng

To the accompaniment of melodious music, the situational dance (情景舞蹈) "The Laundry Squad Devoted Wholly to the Public," created and staged by the Joint Logistic Support Force's No. 945 Hospital, recently held its premiere at the Xining Joint Logistic Support Center auditorium. The performance artistically recounts the moving story of military medical personnel making quiet contributions in ordinary posts.

Taking as its entry point the scene of the hospital's nurses washing clothes for wounded and sick soldiers, the situational dance integrates voiceover narration, historical footage, letter recitations, and other expressive forms to look back on the hospital's glorious history, recreate the working scenes of military medical personnel across different eras, and embody the spiritual pursuit of "serving wounded and sick soldiers wholeheartedly."

In the 1970s, the female soldiers of the laundry squad at the 37th Army Hospital (the predecessor of No. 945 Hospital) distinguished themselves in service and support work for the troops and were awarded the honorary title "Lei Feng's Laundry Squad" by the former Chengdu Military Region. Their deeds were made into a black-and-white documentary film, "The Laundry Squad Devoted Wholly to the Public," by the August First Film Studio in 1977 and released for public screening. The situational dance opens with a clip from that documentary, paired with low and gentle background music, presenting to the audience the busy figures of the laundry squad's female soldiers. The scrubbing, beating, and drying motions, and the optimism and resilience reflected in their smiles, also set an unadorned and sincere emotional tone for the entire performance.

On stage, the lights gradually brightened. "When it's sunny, hurry and dry; when it rains, hurry and collect; if it's not clean, do it again; if it falls, wash it over…" Twelve performers, wooden basins in hand, moved with light steps, using dance movements to recreate the working scenes of the laundry squad's female soldiers from those years.

As a uniform stained with blood was lifted from a basin by one of the laundry squad's female soldiers, the lively melody came to an abrupt halt. In the flickering of the lights, the audience's thoughts seemed to return to a battlefield shrouded in the smoke of war. In those years, the hospital's predecessors formed surgical teams and rushed to the front lines to carry out combat trauma treatment. Conditions at the front were harsh — there were no fixed operating rooms; temporary air-raid shelters and makeshift refuges served as operating theaters. Lacking adequate medical equipment and sufficient medicines, they improvised with whatever was at hand, overcame every difficulty, and raced against death itself…

Stage performance and historical memory illuminated each other. As the music gradually rose again, the laundry squad's female soldiers bent back to their work, and the motions of scrubbing clothes became uniform and solemn. Old photographs of the surgical teams were displayed on the backdrop screen; at center stage, a performer recited with deep feeling a letter from the front: "Everything for victory…"

From laundry girls to warriors in white, what changed was the era's setting and the mission at hand; what did not change was the sincere original aspiration of "serving the troops, dedicating oneself to war."

Time flowed on. The stage lights came up one by one, and the voiceover rose with the lights.

"Her name is Xiao Guo — the 'ray of sunshine' of the squad. In 2008, amid the ruins of the earthquake zone in Wenchuan, she went nearly three days and three nights without sleep…"

"Her name is Xiao Li — the youngest in the squad when she enlisted. That year, she held firm on the front line of the epidemic fight. The pressure marks on her face are the most beautiful 'battle-against-the-epidemic imprints (战疫印记)' in her heart…"

On the backdrop screen, photograph after photograph recreated one moving scene after another. The transmission of spirit (精神传承) became, in that moment, all the more tangible.

Then the music drove the performance to its climax. The performers stood at attention and cried out together: "We today still fight for victory!" Applause from the audience continued for a long time.

Original Chinese
情景舞蹈《一心为公的洗衣班》—— 艺术展现医护人员精神传承 ■常晨玥 齐浩成 伴随着悠扬的音乐,联勤保障部队第945医院创排的情景舞蹈《一心为公的洗衣班》日前在西宁联勤保障中心礼堂首演。节目艺术地讲述了部队医护人员在平凡岗位上默默奉献的动人故事。 情景舞蹈以该医院护士为伤病员洗衣的情景为切入点,融合画外音、历史影像、书信朗诵等多种表现形式,回眸医院光荣历史,还原不同年代军队医护人员工作场景,体现“全心全意为伤病员服务”的精神追求。 上世纪70年代,第37陆军医院(第945医院前身)的洗衣班女兵在为兵服务保障工作中表现突出,被原成都军区授予“雷锋的洗衣班”荣誉称号。她们的事迹在1977年被八一电影制片厂制作成黑白纪录片《一心为公的洗衣班》,并公开放映。情景舞蹈开篇即以该纪录片片段为引子,搭配低沉舒缓的背景音乐,将洗衣班女兵们忙碌的身影呈现在观众面前。那些搓洗、捶打、晾晒等动作和她们笑容中体现出的乐观坚韧,也为整场展演奠定了朴实真挚的情感基调。 舞台上,灯光渐明。“天晴抓紧晒,下雨赶紧收,不净返工,掉落重洗……”12名演员手端木盆,步履轻快,用舞蹈动作再现当年洗衣班女兵们工作的场景。 随着一件浸染血迹的军装被洗衣班女兵从盆中拎起,欢快旋律戛然而止。灯光明灭间,观众思绪仿佛回到硝烟弥漫的战场。当年,医院前辈组建手术队奔赴前线,承担战创伤救治任务。前线条件艰苦,没有固定手术室,临时防空洞、简易庇护所便是手术室;缺少配套医疗设备与充足药品,他们就地取材、克服困难,与死神展开生死竞速…… 舞台演绎与历史记忆交相辉映。音乐渐起,洗衣班女兵们重新俯身,搓洗衣物的动作变得整齐而庄重。背景屏上展示着手术队的老照片;舞台中央,演员深情朗诵一封来自前线的书信:“一切为了胜利……” 从洗衣姑娘到白衣战士,改变的是时代场景与使命任务,不变的是“为兵服务、为战奉献”的赤诚初心。 时光流转,舞台灯光次第点亮,画外音随灯光而起。 “她叫小果,是班里的‘开心果’。2008年,她在汶川震区的废墟上,三天三夜几乎不眠不休……” “她叫小丽,入伍时在班里年纪最小。那一年,她坚守抗疫一线。脸上的压痕,是她心中最美的‘战疫印记’……” 背景屏上,一张张照片再现一个个动人场景。精神传承,在此刻变得更加具象。 随后,音乐将演出推向高潮,演员们站定身姿,共同高喊:“今天的我们,依然为胜利而战!”台下掌声久久不息。